MIMO - When Music is Your Fix

Eno & Hyde “Someday World” – Album Review

Warp (2014)

Pioneers of ambient electronica and dub-techno respectively, Brian Eno and Karl Hyde may initially appear unlikely bedfellows. But following the former’s 2013 remix of the latter’s “Slummin’ It For The Weekend” and their hook-up on Underworld compilation Athens (“Beebop Hurry”),  the full-length album Someday World is actually their third collaborative effort.

Throw in the fact that Hyde’s debut solo album, Edgeland, was produced by regular Eno cohort Leo Abrahams, and you would have hoped for these nine tracks to possess a certain sense of synergy. Unfortunately, Someday World turns out to be a rather jarring, if occasionally intriguing, soundclash which suggests both Eno & Hyde were working to entirely different briefs.

Smothered in the kind of tinny synth-brass you’d expect to find on a children’s miniature keyboard, opener “The Satellites” starts out as tacky muzak before transforming into a doom-laden Depeche Mode-esque slice of synth-rock about the mundanity of life. There’s a similar lift music vibe halfway through “Strip It Down,” which despite its title, is otherwise surrounded by a maximalist blend of jittery percussion, throbbing bass and kaleidoscopic synths. Elsewhere, “When I Built This World” lurches from Level 42-esque funk to espionage soundtrack while also bizarrely threatening to burst into Nat King Cole’s “When I Fall In Love.”

The schizophrenic sound isn’t Someday World’s only major problem. Indeed, Hyde is undoubtedly a gifted producer/songwriter, but an engaging vocalist he most definitely isn’t, and his dreary and monotonous drone-like tones would turn even the most uplifting of party anthems into funereal-like dirges.

“Daddy’s Car,” a brilliantly percussive number which harks back to the Afrobeat vibes of Eno’s work with Talking Heads, and “Who Rings The Bell,” a feel-good acoustic funk affair featuring Coldplay drummer Will Champion, are much more encouraging. “Man Wakes Up,” a thrilling and cohesive fusion of disco, gospel and chopped-up acid house which suggests the duo should have veered off into Underworld territory more often, also hints at what could have been.

Someday World, therefore, isn’t without the odd inspired moment. But overall, it’s an experiment which has produced self-indulgent, unfocused and surprisingly cheap results.

2.5 / 5 stars     

Share and Enjoy

  • Facebook
  • Twitter
  • Delicious
  • LinkedIn
  • StumbleUpon
  • Add to favorites
  • Email
  • RSS

About the Author


Jon O'Brien's love of music began as a six-year-old after becoming bizarrely transfixed with the 80s poodle rock of Heart, Europe and Def Leppard. Switching his attention to pop icon Michael Jackson, he then became addicted to the UK Top 40, becoming a rather pointless walking Wikipedia of chart positions in the process. Driving his poor neighbors up the wall while learning to play the drums as a teen, he toyed with the idea of becoming a musician, but in studying Journalism at the University of Central Lancashire, he realized heÕd rather write about music than perform it. Since then, he's written thousands of reviews and biographies on everything from bubblegum pop to death metal, but electronica remains his main passion, with everything from Aphex Twin to Zero 7 in his spare room-consuming record collection. Jon resides in northwest England near Liverpool.

Tagged: ,
Posted in: Album Reviews, Electronic Music


No Comments