MIMO - When Music is Your Fix

Skye “Back To Now”–Album Review

PIAS (2012)

The easy-listening alternative to the haunting and unsettling presence of Beth Gibbons, the soothing velvety tones of Morcheeba’s Skye Edwards helped trip-hop to crossover to the coffee house scene in the mid-90s. Up until now, her solo career has pursued a similarly cosy path. However, third studio effort, Back To Now, sees her belatedly tiptoe onto the dancefloor at the relatively late age of 38.

Thankfully there isn’t anything as contrived as a Swedish House Mafia-esque ravey breakdown or a robotic dubstep wobble to be found amongst the album’s ten tracks, with the ABBA-inspired Europop of “Every Little Lie” the closest the record gets to anything approaching 150BPM.

But it’s still refreshing to hear Skye’s effortlessly graceful vocals tackle material even just a little less sedate than her usual melancholic fare, particularly opener, “Troubled Heart,” an intriguing blend of mystical chants, bursts of brass and dubby beats which sounds like Mark Ronson given a world music makeover. Meanwhile, in the continuing absence of La Roux, Back To Now’s lead single “Featherlight” and the glitchy electro of “Little Bit Lost” fill the 80s-inspired nu synth-pop vacancy quite nicely indeed.

However, while Steve Fitzmaurice’s production is occasionally as quirky as his work with Metronomy, there isn’t much here which leaves a lasting impression. It’s pleasant, it’s sophisticated, it’s undoubtedly classy, but despite the subtle increase in tempo, it’s never more than mildly diverting background dinner party music.

And after a perky start, Skye appears to lose her bottle towards the end with two plodding unremarkable ballads, “Dissolve” & “Bright Light,” which could easily be leftovers from 2010’s Blood With Lemonade, her disappointingly muted reunion album with Morcheeba.

Indeed, with such a majestic voice, it’s a shame that Skye has never really found the material to match it since 1998’s Big Calm, and Back To Now’s half-hearted attempt to broaden her musical horizons unfortunately means she’s still waiting.

3 / 5 stars     

About the Author


Jon O'Brien's love of music began as a six-year-old after becoming bizarrely transfixed with the 80s poodle rock of Heart, Europe and Def Leppard. Switching his attention to pop icon Michael Jackson, he then became addicted to the UK Top 40, becoming a rather pointless walking Wikipedia of chart positions in the process. Driving his poor neighbors up the wall while learning to play the drums as a teen, he toyed with the idea of becoming a musician, but in studying Journalism at the University of Central Lancashire, he realized heÕd rather write about music than perform it. Since then, he's written thousands of reviews and biographies on everything from bubblegum pop to death metal, but electronica remains his main passion, with everything from Aphex Twin to Zero 7 in his spare room-consuming record collection. Jon resides in northwest England near Liverpool.

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