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Bat For Lashes “The Haunted Man”: Album Review

Parlophone (2012)

Shock value can be a double-edged sword; it can certainly draw attention to an artist and a product, but it can also inadvertently overshadow the merit of the product itself. Apparently, The Haunted Man, the third release from Bat For Lashes (aka Natasha Khan) flirts with that line, in that nearly every review I’ve read of the record spends almost as much time talking about the provocative album cover as […]